inspiration blog

my work
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audiotive:

http://bytheodore.com/projects/simian-ui
audiotive:

http://bytheodore.com/projects/simian-ui
audiotive:

http://bytheodore.com/projects/simian-ui
audiotive:

http://bytheodore.com/projects/simian-ui
audiotive:

http://bytheodore.com/projects/simian-ui
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ancientart:

The Bhaja Caves of Maharashtra, India.
Bhaja contains about 29 rock-cut caves, which date back to the 2nd century BCE, and is described by the Archaeological Survey of India to be “one of the important Buddhist centres of Hinayana faith in Maharashtra.” 
A prominent features of Bhaja is Cave 12, a chaitya-griha, pictured in the final photo, which is considered one of the earliest of its kind. The stupa at the back of the large apsidal hall was used for worship. Cave 20 contains a group of stupas, which were built in memory of deceased monks, and probably once contained their relics.
Cave 18 was a monastery, and its verandah contains two famous sculpted reliefs. One of these (pictured in the 2nd photo) is located to the left of the door. This artwork depicts a person riding an elephant (thought by some to be Indra) who carries an ankusa (elephant goad), with attendants aside the figure, carrying a banner. The second relief shows a royal personage aside two women. The royal figure (who some identify as Sun god Surya), rides a chariot driven by four horses, and appears to be trampling a demon-like figure.
Photos courtesy of & taken by Himanshu Sarpotdar. The write-up of the site done by the Archaeological Survey of India was of great reference to me when writing this post.
ancientart:

The Bhaja Caves of Maharashtra, India.
Bhaja contains about 29 rock-cut caves, which date back to the 2nd century BCE, and is described by the Archaeological Survey of India to be “one of the important Buddhist centres of Hinayana faith in Maharashtra.” 
A prominent features of Bhaja is Cave 12, a chaitya-griha, pictured in the final photo, which is considered one of the earliest of its kind. The stupa at the back of the large apsidal hall was used for worship. Cave 20 contains a group of stupas, which were built in memory of deceased monks, and probably once contained their relics.
Cave 18 was a monastery, and its verandah contains two famous sculpted reliefs. One of these (pictured in the 2nd photo) is located to the left of the door. This artwork depicts a person riding an elephant (thought by some to be Indra) who carries an ankusa (elephant goad), with attendants aside the figure, carrying a banner. The second relief shows a royal personage aside two women. The royal figure (who some identify as Sun god Surya), rides a chariot driven by four horses, and appears to be trampling a demon-like figure.
Photos courtesy of & taken by Himanshu Sarpotdar. The write-up of the site done by the Archaeological Survey of India was of great reference to me when writing this post.
ancientart:

The Bhaja Caves of Maharashtra, India.
Bhaja contains about 29 rock-cut caves, which date back to the 2nd century BCE, and is described by the Archaeological Survey of India to be “one of the important Buddhist centres of Hinayana faith in Maharashtra.” 
A prominent features of Bhaja is Cave 12, a chaitya-griha, pictured in the final photo, which is considered one of the earliest of its kind. The stupa at the back of the large apsidal hall was used for worship. Cave 20 contains a group of stupas, which were built in memory of deceased monks, and probably once contained their relics.
Cave 18 was a monastery, and its verandah contains two famous sculpted reliefs. One of these (pictured in the 2nd photo) is located to the left of the door. This artwork depicts a person riding an elephant (thought by some to be Indra) who carries an ankusa (elephant goad), with attendants aside the figure, carrying a banner. The second relief shows a royal personage aside two women. The royal figure (who some identify as Sun god Surya), rides a chariot driven by four horses, and appears to be trampling a demon-like figure.
Photos courtesy of & taken by Himanshu Sarpotdar. The write-up of the site done by the Archaeological Survey of India was of great reference to me when writing this post.
ancientart:

The Bhaja Caves of Maharashtra, India.
Bhaja contains about 29 rock-cut caves, which date back to the 2nd century BCE, and is described by the Archaeological Survey of India to be “one of the important Buddhist centres of Hinayana faith in Maharashtra.” 
A prominent features of Bhaja is Cave 12, a chaitya-griha, pictured in the final photo, which is considered one of the earliest of its kind. The stupa at the back of the large apsidal hall was used for worship. Cave 20 contains a group of stupas, which were built in memory of deceased monks, and probably once contained their relics.
Cave 18 was a monastery, and its verandah contains two famous sculpted reliefs. One of these (pictured in the 2nd photo) is located to the left of the door. This artwork depicts a person riding an elephant (thought by some to be Indra) who carries an ankusa (elephant goad), with attendants aside the figure, carrying a banner. The second relief shows a royal personage aside two women. The royal figure (who some identify as Sun god Surya), rides a chariot driven by four horses, and appears to be trampling a demon-like figure.
Photos courtesy of & taken by Himanshu Sarpotdar. The write-up of the site done by the Archaeological Survey of India was of great reference to me when writing this post.
ancientart:

The Bhaja Caves of Maharashtra, India.
Bhaja contains about 29 rock-cut caves, which date back to the 2nd century BCE, and is described by the Archaeological Survey of India to be “one of the important Buddhist centres of Hinayana faith in Maharashtra.” 
A prominent features of Bhaja is Cave 12, a chaitya-griha, pictured in the final photo, which is considered one of the earliest of its kind. The stupa at the back of the large apsidal hall was used for worship. Cave 20 contains a group of stupas, which were built in memory of deceased monks, and probably once contained their relics.
Cave 18 was a monastery, and its verandah contains two famous sculpted reliefs. One of these (pictured in the 2nd photo) is located to the left of the door. This artwork depicts a person riding an elephant (thought by some to be Indra) who carries an ankusa (elephant goad), with attendants aside the figure, carrying a banner. The second relief shows a royal personage aside two women. The royal figure (who some identify as Sun god Surya), rides a chariot driven by four horses, and appears to be trampling a demon-like figure.
Photos courtesy of & taken by Himanshu Sarpotdar. The write-up of the site done by the Archaeological Survey of India was of great reference to me when writing this post.
ancientart:

The Bhaja Caves of Maharashtra, India.
Bhaja contains about 29 rock-cut caves, which date back to the 2nd century BCE, and is described by the Archaeological Survey of India to be “one of the important Buddhist centres of Hinayana faith in Maharashtra.” 
A prominent features of Bhaja is Cave 12, a chaitya-griha, pictured in the final photo, which is considered one of the earliest of its kind. The stupa at the back of the large apsidal hall was used for worship. Cave 20 contains a group of stupas, which were built in memory of deceased monks, and probably once contained their relics.
Cave 18 was a monastery, and its verandah contains two famous sculpted reliefs. One of these (pictured in the 2nd photo) is located to the left of the door. This artwork depicts a person riding an elephant (thought by some to be Indra) who carries an ankusa (elephant goad), with attendants aside the figure, carrying a banner. The second relief shows a royal personage aside two women. The royal figure (who some identify as Sun god Surya), rides a chariot driven by four horses, and appears to be trampling a demon-like figure.
Photos courtesy of & taken by Himanshu Sarpotdar. The write-up of the site done by the Archaeological Survey of India was of great reference to me when writing this post.
ancientart:

The Bhaja Caves of Maharashtra, India.
Bhaja contains about 29 rock-cut caves, which date back to the 2nd century BCE, and is described by the Archaeological Survey of India to be “one of the important Buddhist centres of Hinayana faith in Maharashtra.” 
A prominent features of Bhaja is Cave 12, a chaitya-griha, pictured in the final photo, which is considered one of the earliest of its kind. The stupa at the back of the large apsidal hall was used for worship. Cave 20 contains a group of stupas, which were built in memory of deceased monks, and probably once contained their relics.
Cave 18 was a monastery, and its verandah contains two famous sculpted reliefs. One of these (pictured in the 2nd photo) is located to the left of the door. This artwork depicts a person riding an elephant (thought by some to be Indra) who carries an ankusa (elephant goad), with attendants aside the figure, carrying a banner. The second relief shows a royal personage aside two women. The royal figure (who some identify as Sun god Surya), rides a chariot driven by four horses, and appears to be trampling a demon-like figure.
Photos courtesy of & taken by Himanshu Sarpotdar. The write-up of the site done by the Archaeological Survey of India was of great reference to me when writing this post.
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alexhchung:

Medusa by Arthur Adams
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tomscholes:

As exercise, I’ll be sharing a drop of my inspiration folder each day for a month. The theme will remain unspoken and will be relaxed yet connected. Let me know what you think and if you’d like to suggest a topic :)
tomscholes:

As exercise, I’ll be sharing a drop of my inspiration folder each day for a month. The theme will remain unspoken and will be relaxed yet connected. Let me know what you think and if you’d like to suggest a topic :)
tomscholes:

As exercise, I’ll be sharing a drop of my inspiration folder each day for a month. The theme will remain unspoken and will be relaxed yet connected. Let me know what you think and if you’d like to suggest a topic :)
tomscholes:

As exercise, I’ll be sharing a drop of my inspiration folder each day for a month. The theme will remain unspoken and will be relaxed yet connected. Let me know what you think and if you’d like to suggest a topic :)
tomscholes:

As exercise, I’ll be sharing a drop of my inspiration folder each day for a month. The theme will remain unspoken and will be relaxed yet connected. Let me know what you think and if you’d like to suggest a topic :)
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hardsurface:

Submarine Missile Tubes
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tomscholes:

As exercise, I’ll be sharing a drop of my inspiration folder each week. The theme will remain unspoken and will be relaxed yet connected. Let me know what you think and if you’d like to suggest a topic :)
tomscholes:

As exercise, I’ll be sharing a drop of my inspiration folder each week. The theme will remain unspoken and will be relaxed yet connected. Let me know what you think and if you’d like to suggest a topic :)
tomscholes:

As exercise, I’ll be sharing a drop of my inspiration folder each week. The theme will remain unspoken and will be relaxed yet connected. Let me know what you think and if you’d like to suggest a topic :)
tomscholes:

As exercise, I’ll be sharing a drop of my inspiration folder each week. The theme will remain unspoken and will be relaxed yet connected. Let me know what you think and if you’d like to suggest a topic :)
tomscholes:

As exercise, I’ll be sharing a drop of my inspiration folder each week. The theme will remain unspoken and will be relaxed yet connected. Let me know what you think and if you’d like to suggest a topic :)